UNIVERSAL CITY STUDIOS, INC. V. CORLEY:
THE CONSTITUTIONAL UNDERPINNINGS OF FAIR USE REMAIN AN OPEN
QUESTION
At first blush, the Copyright Clause and the
First Amendment of the United States Constitution appear to
serve conflicting interests and to exist in irrevocable tension.1 On
one hand, the Copyright Clause grants authors "the exclusive
Right to their respective Writings and Discoveries," thereby
prohibiting others from utilizing certain forms of expression.2 On
the other hand, the First Amendment prohibits Congress from
"abridging the freedom of speech" and expression.3 Thus,
by simultaneously prohibiting the use of another's expression
and safeguarding expression, the two provisions appear to
be on a constitutional collision course.
INTRODUCTION
The Uncertain Role of Fair Use as Mediator
Between Copyright and the First Amendment
¶
To ease this
tension, Congress and the courts have imposed limitations
on copyrights, such as the fair use doctrine4 and
the idea-expression distinction, which mediate between the
competing interests and allow the two conflicting provisions
to co-exist. The U.S. Supreme Court has noted that fair use
of a protected work affords "latitude for scholarship and
comment," thus preserving First Amendment freedoms by shielding
critical commentary and preventing private censorship.5 The
Supreme Court has never explicitly held, however, "that fair
use is constitutionally required, although some isolated
statements in its opinions [and those of the Circuit Courts
of Appeals] might arguably be enlisted for such a requirement."6
¶
As a result,
there has been a robust debate among scholars on whether fair
use is compelled by the Constitution, or whether it exists
solely at the discretion of Congress.7 Recently,
in a case involving a new law enactment entitled the Digital
Millennium Copyright Act ("DMCA"),8 the
Second Circuit was squarely presented an opportunity to settle
the matter and declined.9
¶
After a brief
overview of the DMCA provisions and its treatment of fair
use, this brief analyzes the debate over the constitutional
underpinnings of fair use in light of the Second Circuit's
decision in Universal City Studios, Inc. v. Eric Corley.10
ANALYSIS
The Digital Millennium Copyright Act: Prohibitions
¶
Congress enacted
the DMCA in 1998, to implement the World Intellectual Property
Organization Copyright Treaty ("WIPO Treaty"), signed by the
United States on April 12, 1997.11 The
Treaty requires signatories to,
... provide adequate legal protection and effective
legal remedies against the circumvention of effective technological
measures that are used by authors in connection with the exercise
of their rights under this Treaty or the Berne Convention
and that restrict acts, in respect of their works, which are
not authorized by the authors concerned or permitted by law.12
¶
To fulfill its
WIPO Treaty obligations, Congress enacted the DMCA, regarded
by prominent scholars as "its most sweeping revisions ever
to the Copyright Act of 1976," which brought U.S. copyright
law "squarely into the digital age."13 The
Act contains three main provisions: one anti-circumvention
provision prohibiting the use of a circumvention technology,14 and
two anti-trafficking provisions, one of which prohibits trafficking
in devices which circumvent technologies designed to prevent
access to a work,15 and
the other prohibits trafficking in devices which circumvent
technologies designed to permit access to a work but
prevent copying of the work or some other infringement of
the owner's copyrights.16 The
prohibitions are backed by criminal sanctions17 as
well as civil remedies, such as temporary or permanent injunctive
relief.18
The Digital Millenium Copyright Act: Treatment
of Fair Use
¶
While targeting
circumvention of protective technologies, however, Congress
was very "sensitiv[e] that the First Amendment not be trampled
when authorizing courts to enjoin violations of [the DMCA]."19 Consequently,
"fair use ... received extended discussion in the legislative
history for section 1201."20 During
such discussion lawmakers made it clear that they intended
"to ensure that the concept of fair use remains firmly established
in the law," by enacting a law that "fully respects and extends
into the digital environment the bedrock principle of 'balance'
in American intellectual property law for the benefit of both
copyright owners and users."21 This
'balance,' was purportedly achieved by adopting provisions
designed to limit the impact of the new law's restrictions
on traditional constructions of fair use, such as: 1) delaying
application of the Act22 and
instructing the Librarian of Congress to promulgate rules
in the interim that exempt certain users from the anti-circumvention
provision, if it finds that the Act is adversely affecting
certain kinds of fair use;23 2)
preserving the "rights, remedies, limitations, or defenses
to copyright infringement, including fair use, under [the
Copyright Act];"24 3)
preserving the traditional "rights of free speech or the press
for activities using consumer electronics, telecommunications,
or computing products;"25 and
4) granting carefully defined fair use exemptions for individual
circumstances, such as non-profit libraries acquisition programs,26 encryption
research,27 certain
types of reverse engineering,28 and
security testing.29
¶
The delicate
balance between combating piracy while preserving fair use
rights in a recognizable form, set off an intense debate over
the extent to which the Constitution requires fair use limitations
on copyright law. The debate became concrete when, shortly
after the Act became effective; a decrypting technology called
DeCSS emerged.
Strike One: Fair Use Rejected by the District
Court (Universal City Studios, Inc. v. Reimerdes)
¶
In Universal
City Studios, Inc. v. Reimerdes,30 the
U.S. District Court for the Southern District of New York
was presented with the first opportunity to clearly demarcate
the extent to which fair use presents a defense to violations
of the DMCA. The case arose when a Norwegian teenager reversed
engineered the "Content Control System" ("CSS") - used by
all major movie studios to encrypt DVD movies so they could
not be copied to computer hard drives or other discs - and
created a computer program called "DeCSS." DeCSS is a simple
program that allows users to circumvent CSS technology and
freely copy and manipulate DVD movies.31 DeCSS
quickly became immensely popular, with many websites, including
some of the defendants' in the Reimerdes case, posting the
actual program or hyperlinks to other websites where the program
could be found.32 The
movie studios promptly filed suit under the DMCA, seeking
temporary and permanent injunctions against the defendants,
whom they alleged were trafficking in circumvention devices
in contravention of the DMCA by posting or linking to copies
of DeCSS.33
¶
The defendants
responded with two primary arguments. First, they contended
that their posting and linking to DeCSS was protected by the
First Amendment's prohibition on content-based restrictions
on speech. This position has become known as the "code is
speech" argument. Second the defendants claimed that DeCSS
allowed users to make fair use of copyrighted works under
the traditional meaning of the term, and could not be banned
by the DMCA.34 These
arguments were, however, summarily rejected by the trial court,
which concluded that the First Amendment did not protect defendants'
posting of and linking to DeCSS.35 More
importantly, the trial court concluded that fair use is not
a defense to violations of the DMCA. The court applied a plain
meaning construction to §1201(c)(1) and determined it preserved
fair use as a defense to "copyright infringement" only, while
the defendants in this case were guilty of circumventing technologies
that protect copyrights, not of infringing copyrights themselves.36 Finding
this distinction controlling, the court reasoned that Congress
could have explicitly allowed a fair use defense to anti-trafficking
actions under the DMCA, but failed to do so, which meant that
no such defense could be had outside of the limited exception
crafted solely for §2101(a)(1)(A).37 Thus
the District Court, without discussing anything more than
the statute's terms, implicitly rejected a constitutional
underpinning to fair use, instead finding its presence or
absence in the statute, solely a matter of Congressional discretion.38 The
Court issued the injunctions sought by plaintiffs.
Strike Two: Fair Use Ignored by the Court of
Appeals (Universal City Studios, Inc. v. Corley)
¶
Eric Corley,
who operated a website for the "hacker community" - on which
he posted both the program and links to DeCSS - appealed the
decision to the Second Circuit Court of Appeals.39 Many
critics and commentators, including law professors and public
interest organizations, came to his aid, filing amicus briefs
in support of a fair use defense to DMCA violations.
¶
Central to their
argument was the contention that fair use is a constitutionally
required "safety valve" that reconciles the conflict
between copyright laws and the First Amendment. As such, Judge
Kaplan's distinction that allows fair use as a defense to
copyright infringement but not as a defense to DMCA violations
was considered unduly narrow. Without a fair use defense operating
as a safety valve, the DMCA impermissibly grinds against the
immutable protections of speech and expression granted by
the First Amendment. The appellants and amici did not have
the benefit of a Supreme Court decision directly on point,
but their contention was not without merit. Although the Supreme
Court had never decided the issue, it had intimated through
dicta that it could someday recognize a constitutional requirement
of fair use.40 Indeed,
the Second Circuit itself had also on several occasions indicated
a similar acceptance of appellants' proposition.41
¶
Unfortunately
for the appellants, the panel reviewing the Corley decision
viewed their contention, that the DMCA is unconstitutional
without a fair use defense, as an "extravagant claim".42 In
a unanimous decision, the three-judge panel affirmed the trial
court's holding in all material regards.43
¶
First, the Court
agreed with the parties that posting and linking to DeCSS
has a constitutionally protected speech component. However,
the Court found that its functional component (i.e. its circumvention
ability) might be regulated by Congress without violating
the First Amendment. Applying garden variety constitutional
case law, the Court determined the challenged provision of
the DMCA "serves a substantial governmental interest, [which]
is unrelated to the suppression of free expression, and ...
does not 'burden substantially more speech than is necessary'."44
¶
Turning to the
issue of fair use, the Court essentially adopted the lower
court's distinction with respect to §1201(c)(1), concluding
that fair use is not a defense to the use of, or trafficking
in, circumvention devices, but only to infringing uses of
copyrighted works after such works are obtained.45 In
other words, the DMCA targets circumvention only, and "does
not concern itself with the use of ... materials after circumventions
has occurred."46 Rejecting
the appellants' expansive construction, the Court held that
§1201(c)(1) merely "ensures that the DMCA is not read
to prohibit the 'fair use' of information just because that
information was obtained in a manner made illegal by the DMCA."47 Appellants'
trafficking in circumvention devices, the Court concluded,
amounted neither to circumvention of a pre-determined
class of works protected by §1201(a)(1), nor to infringement
of a copyrighted work, the fair use of which is protected
by §1201(c)(1).48 Accordingly,
the fair use defense was inapplicable to appellants' violation
of the DMCA.49
¶
To support this
interpretation of the statutory framework, the Second Circuit
pointed to the legislative history of the DMCA, and concluded
that "it would be strange for Congress to open small, carefully
limited windows for circumvention to permit fair use," (referring
to the fair use exemptions discussed in Section B(1)(b) supra),
"if it then meant to exempt in subsection 1201(c)(1) any circumvention
necessary for fair use."50 Thus
the Court turned the appellants' argument on its head: the
well-documented Congressional concern for fair use did not
indicate its intent to allow the defense for all violations
of the Act. On the contrary, in light of this concern, Congressional
silence on fair use with respect to trafficking in, or use
of circumvention devices outside the explicit exemptions,
was held to mean Congress had considered but rejected it.51
¶
In concluding
that the DMCA does not afford a fair use defense to many uses
of, and all trafficking in, circumvention devices, the Second
Circuit set the stage to consider whether such a proscription
ran afoul of any purported constitutional requirement that
fair use must always be privileged. Here, appellants' arguments
were found wanting again, as the Court expressed serious skepticism
of their "extravagant claim" that such a requirement would
be firm enough to completely invalidate the DMCA.52 The
Court did note the "isolated statements in [the Supreme Court's]
opinions53 [which]
might arguably be enlisted for such a requirement," but concluded
that it did not have to resolve the issue in this case.54
¶
The Court's
justification for dodging the issue was threefold: First,
"the Appellants do not claim to be making fair use of any
copyrighted materials, and nothing in the injunction prohibits
them from making such fair use."55 Thus
the mere fact that DeCSS could be employed to make fair use
of copyrighted works was of no consequences to these appellants,
because they themselves were not using it as such, but were
only involved in its trafficking to facilitate unauthorized
access to copyrighted materials.56 Second,
"the evidence as to the impact of the anti-trafficking provision
of the DMCA on prospective fair users is scanty and fails
to adequately address the issues."57 Finally,
the Court found "no authority for the proposition that fair
use, as protected by the Copyright Act, much less the Constitution,
guarantees copying by the optimum method or in the identical
format of the original."58 As
such, even if the Constitution were to require some level
of fair use, such level is afforded by the DMCA with respect
to DVD movies, because nothing in the statute would prevent
someone from commenting on content, quoting excerpts, or even
recording portions of the content by pointing a camcorder
to a monitor displaying the DVD movie.59 Nothing
in the Constitution, the Court concluded, required fair use
as "a guarantee of access to copyrighted material in order
to copy it by the fair user's preferred technique or in the
format of the original."60 As
such, the constitutional element of appellants' claim was
deemed irrelevant and ignored.
CONCLUSION
Implications for Fair Use in Future Cases
¶
While showing
a disinclination to recognize a firm constitutional requirement
of fair use, the Second Circuit decision to leave the constitutional
underpinnings of fair use open presents a glimmer of hope
for the proponents of DeCSS in particular, and fair use in
general. Corley thus presents several implications
for the future litigant of fair use rights under the DMCA.
¶
First, the Corley
case has framed the need for a better evidentiary record
to support an argument of a constitutional requirement of
fair use. As the Court itself noted, prior to the decision
all that appellants could muster in support of their "extravagant
claim" were a few "isolated statements ... that might arguably
be enlisted for such a requirement."61 Notwithstanding
the Court's refusal to invalidate the DMCA on such scant support,
in recognizing the debate and discussing the issue at length,
the Corley decision marks the movement of these isolated
statements from a few court cases, briefs, and journals, into
one appellate decision available for future citation.
¶
Second, the
Court's lengthy discussion of fair use alternatives seems
to indicate that it would be willing to recognize at least
some constitutional restriction on the ability of Congress
to impede fair use. Thus a proper reading of Corley would
suggest not that fair use lacks any constitutional grounding
whatsoever, but rather that whatever its constitutional underpinning
may be, it is insufficient to invalidate an Act which protects
at least some, albeit inferior, levels of fair use.
¶
This leads us
to a third and final implication, concerning the direction
of the debate on fair use. The Reimerdes-Corley decisions
indicate that it is no longer sufficient to convince the courts
of the existence of a constitutional requirement of
fair use, since the DMCA preserves many conventional forms
of such fair use (i.e. pointing a camcorder at a monitor displaying
DVD movies encrypted with CSS). Rather, future litigants must
convince the courts that a constitutional requirement of fair
use exists, and that its contour is such that it invalidates
any measure which prohibits the most prevalent, efficient,
or superior form of fair use (i.e. one that displaces copy
machines in favor of scribing monks). The Corley decision
indicates, however, that unless and until the Supreme Court
"ratifies" its previous "isolated statements" to recognize
a sweeping constitutional right of fair use approaching the
absolute, this battle is going to be uphill.
By: Harry Mihet
Footnotes
1. See generally, Melville B. Nimmer, "Does Copyright
Abridge the First Amendment Guarantees of Free Speech and
Press?", 17 U.C.L.A. L. Rev. 1180 (1970); Paul Goldstein,
"Copyright and the First Amendment," 70 Colum. L. Rev. 983
(1970).
2. US Constitution, Article I, §8 Cl. 8.
3. US Constitution, Amdt. I. See also, Harper and
Row Publishers Inc. v. Nation Enterprises, 471 U.S. 539,
559 (1985) ("The essential thrust of the First Amendment is
to prohibit improper restraints on the voluntary public expression
of ideas.") quoting Estate of Hemingway v. Random House,
Inc., 23 N.Y. 2d 341, 348 (1968).
4. Fair use is codified and defined in §107 of the Copyright
Act:
"Limitations on exclusive rights: Fair use Notwithstanding
the provisions of sections 106 and 106A, the fair use of a
copyrighted work, including such use by reproduction in copies
or phonorecords or by any other means specified by that section,
for purposes such as criticism, comment, news reporting, teaching
(including multiple copies for classroom use), scholarship,
or research, is not an infringement of copyright."
17 U.S.C. §107 (2001).
5. Harper and Row, 471 U.S. 539, at 560, quoting Harper
and Row Publishers Inc. v. Nation Enterprises, 723 F.2d
195, 203 (1983).
6. Universal City Studios, Inc. v. Eric Corley, 2001
U.S. App. LEXIS 25330, at 73 (2nd Cir. 2001) (emphasis added).
7. See generally, Nimmer, supra note 1; Goldstein,
supra note 1; See also Yochai Benkler, "Free
as the Air to Common Use: First Amendment Constraints on Enclosures
of the Public Domain," 74 N.Y.U. L. Rev. 354 (1999).
8. 17 U.S.C. §1201 et seq. (2001).
9. See Corley, supra note 6.
10. Universal City Studios, Inc. v. Eric Corley, 2001
U.S. App. LEXIS 25330.
11. WIPO Treaty, Apr. 12, 1997, art. 11, S. Treaty Doc. No.
105-17 (1997), available at 1997 WL 447232.
12. Id.
13. Nimmer, D., "A Riff on Fair Use In the Digital Millennium
Copyright Act," 148 U. Penn. L. Rev. 673, 674, 680 (1999)
quoting Report of the Senate Comm. on the Judiciary,
S. Rep. No. 105-190, at 2 (1998).
14. 17 U.S.C. §1201(a)(1)(A), the anti-circumvention
provision, provides that "No person shall circumvent a technological
measure that effectively controls access to a work protected
under [the Copyright Act]."
15. 17 U.S.C. §1201(a)(2), an anti-trafficking provision,
provides that:
"No person shall manufacture, import offer to the public,
provide or otherwise traffic in any technology, product, service,
device, component, or part thereof, that - A) is primarily
designed or produced for the purpose of circumventing a technological
measure that effectively controls access to a work protected
under [the Copyright Act]; B) has only limited commercially
significant purpose or use other than to circumvent a technological
measure that effectively controls access to a work protected
under [the Copyright Act]; or C) is marketed by that person
or another acting in concert with that person's knowledge
for use in circumventing a technological measure that effectively
controls access to a work protected under [the Copyright Act]."
16. 17 U.S.C. §1201(b)(1), the other anti-trafficking
provision, provides that:
"No person shall manufacture, import offer to the public,
provide or otherwise traffic in any technology, product, service,
device, component, or part thereof, that - A) is primarily
designed or produced for the purpose of circumventing protection
afforded by a technological measure that effectively protects
a right of a copyright owner under [the Copyright Act] in
a work or a portion thereof; B) has only limited commercially
significant purpose or use other than to circumvent protection
afforded by a technological measure that effectively protects
a right of a copyright owner under [the Copyright Act] in
a work or a portion thereof; or C) is marketed by that person
or another acting in concert with that person's knowledge
for use in circumventing protection afforded by a technological
measure that effectively protects a right of a copyright owner
under [the Copyright Act] in a work or a portion thereof."
17. 17 U.S.C. §1204.
18. 17 U.S.C. §1203(b)(1).
19. Nimmer, D., supra note 13, at 703, citing Report
of the House Comm. on Commerce, H.R. Rep. No. 105-551,
pt. 2, at 22 (1998).
20. Id.
21. Report of the House Comm. on Commerce, H.R. Rep.
No. 105-551, pt. 2, at 26.
22. 17 U.S.C. §1201(a)(1)(A) provides that "[t]he prohibition
contained in the [anti-circumvention provision] shall take
effect at the end of the 2-year period beginning on [Oct.
28, 1998].
23. 17 U.S.C. §1201(a)(1)(B) exempts "persons who are
users of a copyrighted work which is in a particular class
of works, if such persons are, or are likely to be in the
succeeding 3-year period, adversely affected by virtue of
such prohibition in their ability to make noninfringing uses
of that particular class of works under [the Copyright Act]."
§§ 1201(a)(1)(C)-(D) set guidelines which the Librarian of
Congress must use in making a determination every three years
of the types of works to be exempted under §1201(a)(1)(B).
Finally, §1201(a)(1)(E) explicitly restricts these exemptions
only to violations of the anti-circumvention provision (§1201(a)(1)(A)),
meaning that those who traffic in circumvention devices,
as opposed to mere usage, will have no fair use defense.
24. 17 U.S.C. §1201(c)(1).
25. 17 U.S.C. §1201(c)(4).
26. 17 U.S.C. §1201(d).
27. 17 U.S.C. §1201(g).
28. 17 U.S.C. §1201(f).
29. 17 U.S.C. §1201(j).
30. Univeral City Studios, Inc. v. Reimerdes, 111
F.Supp. 2d 294 (SDNY 2000).
31. Id. at 303-15. The opinion contains a very detailed
discussion and definition of all technical terms.
32. Id.
33. Id.
34. Id.
35. Id. at 327-30. Judge Kaplan concluded that DeCSS
is protected speech under the First Amendment, but because
the DMCA targets only the "functional aspect" of that speech,
it survives the intermediate level scrutiny for content-neutral
regulations under United States v. O'Brien, 391 U.S.
367.
36. Id. at 322.
37. Id.
38. Id. at 346.
39. Universal City Studios, Inc. v. Corley, 2001 U.S.
App. LEXIS 25330 (2nd Cir. 2001).
40. See e.g. Harper and Row Publishers Inc. v. Nation
Enterprises, 471 U.S. 539, at 560 (1985) (noting "the
First Amendment protections already embodied in the Copyright
Act's distinction between copyrightable expression and uncopyrightable
facts and ideas, and the latitude for scholarship and comment
traditionally afforded by fair use."); Stewart v. Abend,
495 U.S. 207, at 236 (1990) ("[t]he fair use doctrine ...
requires courts to avoid rigid application of the copyright
statute when, on occasion, it would stifle the very creativity
which the law is designed to foster."); Campbell v. Acuff-Rose
Music, Inc., 510 U.S. 569, at 575 (1994) ("from the infancy
of copyright protection, some opportunity for fair use
of copyrighted material has been thought necessary to fulfill
copyright's very purpose, 'to promote the Progress of
Science and useful Arts.'")(emphasis added).
41. See e.g. Rosemont Enterprises v. Random House, Inc.,
366 F. 2d 303, at 307 (2d Cir. 1966) ("The fundamental justification
for the privilege [of fair use] lies in the constitutional
purpose in granting copyright protection in the first instance,
to wit, "To Promote the Progress of Science and the Useful
Arts."); Wainwright Securities Inc. v. Wall Street Transcript
Corp., 558 F.2d 91, at 95 (2d Cir. 1977) ("Conflicts between
interests protected by the first amendment and the copyright
laws thus far have been resolved by application of the fair
use doctrine."); Twin Peaks Productions, Inc. v. Publications
Int'l, Ltd., 996 F. 2d 1366, at 1378 (2d Cir. 1993) ("The
fair use doctrine encompasses all claims of first amendment
in the copyright field.") quoting New Era Publications
Int'l, ApS v. Henry Holt and Co., 873 F. 2d 576, at 584
(2d Cir. 1989); Nihon Keizai Shimbun, Inc. v. Comline Bus.
Data, Inc., 166 F. 3d 65, at 74-5 (2d Cir. 1999) ("We
have repeatedly rejected First Amendment challenges to injunctions
from copyright infringement on the ground that First Amendment
concerns are protected by and coextensive with the fair use
doctrine.").
42. Corley, 2001 U.S. App. LEXIS 25330, at 73.
43. Id. at 79.
44. Id. at 49, quoting Ward v. Rock Against Racism,
491 U.S. 781, 799 (1989). The Court agreed with Judge Kaplan's
holding that the regulation need not pass strict constitutional
scrutiny since it is a content-neutral regulation of only
the functional aspect of speech. The Court applied the more
relaxed scrutiny of Ward instead.
45. Id. at 30-31.
46. Id. at 31.
47. Id.
48. Id.
49. Id.
50. Id.
51. Id.
52. Id. at 73.
53. See notes 40-41, supra.
54. Corley, 2001 U.S. App. LEXIS 25330, at 75.
55. Id. at 75-6.
56. Id.
57. Id. at 76.
58. Id. at 77.
59. Id. The Appellants had anticipated this argument
and claimed that a prohibition on DeCSS could not be upheld
on grounds that other, less perfect, alternatives for fair
use exist, anymore than a prohibition on using copying machines
on grounds that the same could be accomplished by employing
"monks to scribe the relevant pages." Id., at note
36. The Court simply noted the hyperbolical nature of this
assertion and left is reasoning undisturbed.
60. Id. at 78.
61. Id. at 73.